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Growth in the midst of destruction

The dancers of Candoco and Axis witnessed a profound truth: "Completeness is not the absence of flaws, but the establishment of a new connection in the midst of fragmentation. Strength is not the absence of vulnerability, but the growth of new resilience in the face of vulnerability."

Imperfection can also be perfection

The limitations of the body do not imply a lack of expression; rather, they might signify a deeper level of expression.  In Pinna's tears, in Butler's vulnerability, and in every dance performed within those "imperfect bodies", what we witness is not merely art, but rather a more mature, more honest, and more emotionally charged form of art and a way of human existence.

References

Li, M. (no date) “Musicking the Compulsive, Revealing the Vulnerable: Intermediality in Pina Bausch’s Bluebeard and Café Müller,” Thesis for MPhil in Music Studies.

Mcrobbie, A. (2006) “Vulnerability, violence and (cosmopolitan) ethics: Butler's Precarious Life*,” The British Journal of Sociology. Wiley. doi: 10.1111/J.1468-4446.2006.00094.X.

Kenny, K. (2010) “Frames of war: when is life grievable?,” Journal of Power. doi: 10.1080/17540291.2010.525837.

《Notes Toward a Performative Theory of Assembly》Author: Judith Butler, Work Type: Academic Monograph (Book), Publisher: Harvard University Press, Publication Year: 2015, ISBN:· Hardcover (2015): 978-0674967755,· Paperback (2018): 978-0674983984
 

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© The production was done by QiaoHui SiTu

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